How to Tap Into Universal Intelligence 
Just By Being On-Camera

UI Or AI? The Choice is Yours.

How to Tap Into Universal Intelligence  Just By Being On-Camera

What it Really Means to Stand
in Your Sweet Spot

Welcome back to a most unusual video destination…

By way of reminder, this effort will be worthwhile only if you gain new insights into what you’re doing now, inspiration to head in a new direction or maybe even work with me for a time while we figure that out together.

It matters not to me which of those forks you take. This is a very personal journey, and right now there’s no way of knowing where you’ll want to go next.

I’m here to move you forward today. At some point your direction will become clear.

I hope you were able to take the interactive assessment. If not, please do that now before even reading this piece. It’s really important. It will help you create new neural pathways from all you’re about to read.

Build new neural pathways around all five video Elements

Being On-Camera is 
Not About Perfect Pitch

So let’s get on with today’s deep dive into your on-camera work. Some call it charisma. I call it your video presence, because it’s based on the energy you’re broadcasting more than what others are picking up. 

The former is something you have total control over. The latter not so much.

So when you appear in your videos and they aren’t working to your satisfaction, well, that can feel a little deflating. After all, where else can you put the blame?

And that is the danger of looking at this in a one-dimensional way

Isn’t it possible that the way you are coming across could be radically altered by your sound and image? Or maybe the words coming out of your mouth? Or the energy of selling with an underlying energy of need riding along it? Or maybe that you’re trying to emulate someone else you admire?

All of those things can overwhelm your charisma, and by charisma I mean the way your energy creates a polarity of attraction in others. This is the problem with taking an approach to fixing your performance that ignores these other factors.

What you really risk is overbalancing the whole shebang, and you end up with a fantastic performance that mesmerizes people while they’re watching and causes them to forget you as soon as the video ends.

So while I think there’s great benefit in working on your appearance, I don’t believe it’s the answer to life, love and success. 

In fact, let me be a little more specific about what can happen with a single-minded approach to fixing your performance.

Take care that the cure is not worse than than the disease.

Why It's Possible To Be "Too Good"

The road to riches are strewn with the carcasses of professional presenters.

I used to be an shark watcher. Shark Tank contestants, actually. 

Here was a perfect example of the need to have perfect pitch. I couldn't fathom why someone would put themselves through that other than to grab their 15 minute share of the limelight. The pressure had to be beyond vomit-inducing. And I guess that was the whole point.

Every once in a while a contestant would bring in a ringer; a friend/celebrity actor or singer. In the 10 seasons or so I watched, I saw perhaps a dozen of these pitches, and not one, NOT ONE ever made a deal with a shark.

Why?

I had a client once who was an amazing public speaker. He had charisma coming out of his pores. We all loved watching him perform. But a problem popped up as soon as he started to do what he called his “pitch”. He had learned all the salesman tricks for making someone buy and used them in his videos. 

But here was his problem.

He had a very hard time accepting that when you become an entrepreneur, you stop personally selling and start engineering the circumstances that make it easy for someone to sell themselves on you.

So his selling energy was overwhelming his pure on-camera energy, and he wasn’t making sales.

Eventually he went back to public speaking, where pure performance is more important to success than almost anything one might say. And where personal connection requires no technical interpretation.

Perhaps someday he'll calm down enough to to succeed with video.

Speaking of the Technical Elements
Affecting Your On-Camera Work

But it’s not just selling energy that can make things turn south in your performance. Sometimes it’s not even you at all. It’s the way your image and audio are coming across.

If you’re underexposed, then everything you say seems a little darker, a little more dramatic than necessary; raising more questions than answers.
It might be your audio is too soft to be taken at face value. It doesn’t sound present or powerful enough to carry your message.
Just the camera being off-axis can tilt your message in unexpected ways.
A background full of clutter can undermine an otherwise pristine make-up and wardrobe job. It would be like showing up at an Amazon warehouse to give a speech about the virtues of an uncluttered life.
The problem could be as simple as composition. When you show up with your eyes center screen it’s harder for people to focus on you. Their eyes keep bouncing up and down and never coming to rest. 

So as you see, your technology can have a huge effect on how you’re coming across. That’s really the reason so many people hire a production company. They eliminate all those problems in one fell swoop. So if you’ve got more budget than time and want to spend the time you do have on yourself and your message, it might be a way to go.

How Your Own Words Affect
Your Own Performance

And speaking of message, your writing can have an enormous effect on how you come across.

If you aren’t aiming your gifts at something worthwhile enough for you, you’ll have a hard time making those videos come alive because first they have to activate your own best energies.

Sometimes a video can be so badly written that there’s only one way it can be performed. And it will be so mannered and false, reflecting the utter vacuity of the content, that the video will die on the vine.

A while back I watched a video on YouTube that not only captures this idea perfectly, it also properly skewers A.I. for it, because right now everyone wants you to use it to write your videos.

Here’s what happened to one prominent YouTube creator when he ran the experiment for himself and reported on his results. It is at once boring, sad and utterly hilarious.

Of course you’re not a “YouTuber” and don’t plan on becoming one in this life or any other. But you can give your tech a chance to succeed when you give yourself something worth expressing.

We’ll leave the writing piece for now and come back to it in a couple of days.

How Selling Energy
Affects Performance

For now let’s talk about how selling energy affects your performance.

There are two ways you can sell in a video. 

One is to use that video to do everything in your power to make sure that person buys. Then you measure the result of that objective in sales per video. It’s called “Direct Response” and many of the biggest internet companies use it to sell financial newsletters and laxatives.

That kind of energy can be repulsive, both literally and figuratively. Literally in the sense that the energy itself generates a movement away from the one generating it, and repulsive in the sense that, well, no one likes to be sold.

But we’re talking about what this does to your on-camera energy. Even if you’re operating in your most engaging self, authentic self, attraction energy 10X, the minute that selling energy hits the airwaves, it smothers your signal. At best it muffles it. At worst people feel as though they’ve been baited and switched. Trust dies and you lose that audience member forever.

OK, that ain’t good.

But I mentioned there were two types of selling in a video. 

Let’s look at the extremely seldom used 2nd type of selling energy.

This is the one that multiplies the power of your purest on-camera signal. It gives that signal an extraordinarily attractive power. You can make this happen by changing your objective.

Rather than using all your knowledge about marketing to make that video sell, you let go of your need to get money from out there to come to you. You see yourself as the source of that value. And you engineer a set of conditions that make your audience member sell themselves on you.

Then all that’s left is you standing there without any neediness, and them standing there needing what you have. That’s the perfect polarity to have. Now your on-camera energy generates actual charisma...out of nothing anyone can see.

The Consequences of Ignoring
Your Own Uniqueness

There’s one more thing we need to talk about that can absolutely annihilate your on-camera work. It’s when you let go of your own uniqueness in order to embrace someone else’s. And best way I can explain this is with a terribly embarrassing tale from my lurid past.

At one point back in the swinging 70's I wanted to be an actor; a stage actor. So I went to acting school. Then I went to New York. And the day finally arrived that I got my first big role. 

But there was a catch. I was replacing someone at the last minute. So I had to learn the part in one day in-between my day job as an office temp and my night job as a waiter. So naturally I eagerly accepted the role. 

What can I say? When you’re 21 years old you have a lot more energy than brains.

Anyway I put my all into it. But the lines weren’t coming. And I got frightened. I didn’t want to blow this big chance. My big off-Broadway debut. What to do? What to do?

Well, at the time there was this popular TV show called The Odd Couple, based on the Neil Simon play. The character of Felix Unger was played by Tony Randall, an actor I admired for his comedy chops. And it struck me that the character I had been hired to play had an awful lot in common with Felix. (I know. You can see where this is going already. I wish I had…)

I didn't stop to think about this for even a minute. I ignored everything I had ever learned about craft and acting and all that rot.

As I thought about him I started learning the lines, and damned if those lines didn't all of a sudden start flowing. With just an hour to go till curtain I was in the clear. Yeah, baby! 

The audience thought it was quite funny. But as I came out all fat and happy for the curtain call, someone in the audience shouted, “It’s Felix Unger!” 

Big laugh.

So…as you know, when the trick is exposed, the audience loses respect for the magician. (Penn and Teller have used that simple truth to make themselves the biggest names in magic history)

And here’s the fantastic irony in all this. I didn’t realize that the very process I was using to learn those lines was the same process Tony Randall was using. Action, reaction. There was no reason I couldn’t have done this as myself. No reason other than fear.

35 years later I would weave this learning into a training called Master of Video Presence, which would then be amplified in the Video Selling Machine.

The big idea I was working with way back then, but without realizing it, was that human beings take on roles many times a day quite naturally. Some of those roles are really well-adapted to being on-camera. 

And when you live them, your scripts come alive, your on-camera work comes alive and something like charisma begins to flow. What’s really happening is that you’re finding your way into your own uniqueness. And when you do that, your on-camera energy comes alive.

So you see, your on-camera work is greatly affected by all kinds of things, some of them having absolutely nothing to do with anything you’re going through on camera. The good news is that you have total control over all of them.

Think about that for a moment. Total. Control.

This is infinitely more powerful than any AI agent can offer. UI, or Universal Intelligence, grants you an unlimited license to be fully you, in the moment, on camera, your frequency of personal consciousness joyfully riding the digisphere all the way to connection.

Tomorrow we’ll take a deep dive into a super-important element in your videos: selling energy. How do technology, scripting, charisma and uniqueness affect or enhance it? 

I suspect you’ll recognize yourself in one or two of these scenarios.

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